Martha Serpas reads
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In the morning the water waits like a deckhand, a persistent curl against the shore, who won’t back down, take no or be denied. It is there under the wharf and soon under the house, whoring with any swamp rat or snake. It rings cypress knees with pearls— it dreams under the sun like cut cane, throwing back the salt you wash away, then wearing pilings down to air. Your houses wade on stilts tall as pillars, their sheet metal skulls bared to a mildewed sky. Against the fallen trees rain and lapping tide meet, slapping of nets and fish and naked children pulling driftwood boats in one joyful noise around your sleep. In the afternoon the water is there, only more, browner and grayer, no sweeping seaweed or foam, just its presence farther up your shore, like a dull brother-in-law in front of TV. He means something to somebody— but not you, not just now. Its slow wake seems harmless, the litany of waves before a storm rolling benignly ashore. Intoxicating! And then it is there, all gray length of it, rich sex of it, it wants you so badly, it pounds at the door, let me take your smallness, your jetties, your broad coasts, your loam. It gathers at night beyond the curtain of mosquitoes, darker than the shut-down sky, the boarded-up clouds. Its desire thrums like an idling outboard. Ignore it and it tows itself into your dreams. It’s everywhere, every chance, all the time. It is more certain than death or love. It must have been conceived by death and love. When the last silt sinks under your feet, you will have to walk out on this water.